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Amazon.com The freaky brainchild of Michael Ivey, Basehead's music is deep semiotics disguised as slacker hip-hop. On his debut album, Ivey mumbles through songs about heartbreak, the meaning of life, and beer (several years before Beck, mind you) over a foundation of funky backbeats, one-note guitar grooves and scratchy lo-fi samples. Cleverly constructed skits woven throughout the songs add musical texture and layers of meaning: a changing radio dial mood-swings "Not Over You" from pretty and melancholic to comical, while the conversation that bookENDs "Ode to My Favorite Beer" turns it into a simultaneous examination of love, alcoholism and the creative process. Being African-American in Washington, D.C. has apparently given Ivey much to think about, as this album illustrates. --Suzanne McElfresh
Get the original, deleted version of this album on Emigre Records. It was released months (maybe a year?) earlier on the Emigre label (a record label started by a font/typeface graphic design magazine of all things!) The original version of the album had samples that were deemed illegal by The Powers That Be, and several tracks had to be revamped a bit, one or two of them were changed VERY noticeably. Plus, the design and packaging was way better on the Emigre version, too. You can tell the difference immediately if you pull out the booklet: the Emigre version is on matte/rough paper with a different foldout...and the Imago one is glossy and slick to the touch. Don't get me wrong, the Imago version still rules...but...I prefer the original version, the way Mr. Ivey intended it. Oh, plus--do yerself a favor and pick up the "2000 B.C." CDsingle: the two 'remixes' (actually an alternate version and a cool live-ish funk version) are great, as is the bonus track "Can It Be?" Sweet stuff.